29 April, 2026

Accidental vocabulary enrichment

 Kids learn to speak before they have all the rules in place. Commonly, children understand the article “a” but don’t have the refinement for “an.” It comes out in some pretty memorable variation in the words. Sometimes those words stick for the family.

For my older son, it was earthworm. I told him that thing is an earthworm. For about a year after that, he called them Nearthworms. For his son, my grandson, it’s uncle. I told him he had an uncle named John. He was Uncle John, but to the baby he has always been Nuncle John.


When we were kids, we mispronounced dominos as “donnamos.”  My great niece called her fancy play shoes heel highs. My younger son wished me sweet beans at bedtime for years. Such things are endearing, and get incorporated into the peculiar family vocabulary.  We still tell one another sweet beans.


Blood draw

 Periodically I have to get blood drawn, and yesterday I ended up going right after lunch. I have been to this lab in the morning during fasting‑draw rush hour.  It’s usually a blur of bustling techs and standing room only grumps  missing their morning coffee. But after lunch it was very quiet, and I happened to get a tech I’ve seen a few times before. He is always steady, competent, and unflappable in that way that puts me at ease. Friendly but fast and professional.


My 2½‑year‑old grandson came along. I expected him to stay in the waiting area with his GrandDude, but when they called my name, he followed me right in. The tech took one look at him and said, “He can come back,” with the same calm he uses for everything. No fuss, no hesitation.  He showed the same quick read of the situation he does during the morning zoo, and gave an easy yes.


As he set up the tourniquet and alcohol swab, I told the toddler, “You don’t have to watch if you don’t want to, honey. He’s going to poke me with a needle, but it won’t hurt. I’m not even going to watch.”


The toddler, naturally, watched every move like he was in medical school. I’m not needle‑averse, so it’s usually calm,  but the tech’s quiet, practiced way of working made the toddler  feel safe, which in turn made me feel grateful. It reminded me how many people do their jobs with a level of competence and kindness that goes unnoticed unless you are two and a half and watching closely.


Once the vial was filled and the bandage was on, I pulled my sleeve down and said, “All done—time to go.”


My grandson looked at me, then at the tech, and announced with great indignation, “It’s my turn.” He held out his tiny arm like a very small, very serious donor.  I hesitated, at a bit of a loss because I hadn’t faced a toddler who wanted to be poked with a needle before.


The tech didn’t laugh or brush him off.  He didn’t hesitate at all.  He just supported that little elbow, tapped it three times with his pen, and said, “There you go, buddy. You are  good to go.”


My grandson took this very seriously. He lifted his arm exactly the way I’d been holding mine to keep pressure on the bandage with a bent elbow,  and marched out to the waiting area to show his GrandDude, triumphant. You’d have thought he’d donated a pint.


Thanks to one calm, competent lab tech, one of those unsung heroes who make such moments gentler, we both walked out feeling like we had another task accomplished, and it was time to go to the park to see if there were rocks to toss into the water.

28 April, 2026

Nickel Beer

 

Nickel Beer Night (But Not Our First Date)

For years, Tom an I had a friendly disagreement about what counted as our first date. In early October, 1975, our college town held an Oktoberfest celebration featuring nickel beer night. A group of housemates and neighbors walked to the gazebo, bought five‑cent beers, danced, and enjoyed the fall evening. We talked within the group, but it was still very much a group outing.

Our living arrangements were stacked in a modest three‑story house: Tom and his buddy in the attic, an English teacher on the main floor, and my roommate and I in the basement. Most mornings, I heard Tom leave for class—clump clump clump clump down the attic stairs, then the back door slamming.

But on October 4, 1975 the rhythm changed. Instead of heading out the back door, Tom continued down the basement stairs and walked straight into the kitchen, where i was fixing lunch. Without preamble he asked, "Are you going out to dinner with me tonight or not?" I was broke at the time, so I asked asked who was paying. Tom said he would. I said then I will go. I know now that he has conversations with himself, turning over ideas, plans, and theories in his head. I suspect his lack of any opening conversation and the “are you going or not” phrasing with me was due to his having been talking to himself for quite a while.

He took me to a Cattleman’s Inn restaurant where he ordered sautéed mushrooms as an appetizer. It was, I think, the first time I ever had mushrooms at all. They were delicious.

That, not the group outing, was our true first date.

Years later, when I told this story to nieces at a nephew’s wedding, I got as far as “nickel beer night.” The nieces looked at each other wide‑eyed and said, “Forget the first date. What is nickel beer?”

They seemed skeptical that a glass of beer was ever a nickel. I think they may have suddenly realized how ancient I was!

Love is in our hands

 Two Projects

It started with butter.

I told the girls how, when I was young, fresh cream arrived from the barn in a bucket and was transferred to a clean quart jar. Someone, often me, was handed he job of turning it into butter. Sometimes with the hand‑crank churn, sometimes with nothing but my own arms and a jar that seemed to grow heavier as I shook the jar and the cream thickened . They listened with that mix of disbelief and curiosity only kids leaving childhood for the teen years can manage.

“Wait,” the younger one said. “Are you telling me you can make butter at home?”

Yes, that’s exactly what I was saying. Would you like to try? I got an enthusiastic yes from both girls.

So the next Saturday, we did.

We purchased two quarts of heavy cream. So that each girl had a chance to see the process, we had two sessions. While one girl had a music lesson, I led the other through using a food‑processor instead of the old hand cranked churn. The process was simple mechanical agitation. The girls leaned in like apprentices. I stopped the machine now and then to show them the stages: the increased volume of the newly whipped cream, the first yellow flecks, the moment the butterfat broke free from the buttermilk. They watched the transformation with the same attention I once gave it as a child.

Later, after the butter had rested in ice, I gathered them again to work the liquid out — folding, pressing, shaping. Together we formed three small butter balls: one for immediate use including on fresh baked biscuits the next morning, two for the freezer. When I unwrapped one of those frozen balls a few weeks later, I found they had each drawn a happy face on their own, the way I once pressed roses into fresh butter with a chilled glass lid from the butter dish. I love that spontaneously, they created and left their mark, their delight, their echo of my childhood gesture.

That was one kind of making — shared, noisy, full of commentary and discovery. And it of course soft hands from shaping the butter.

Crayons

The other kind happened quietly, without an audience.

The butter making session was last fall. Late this winter, I gathered the broken crayons that had accumulated in the house,  the tiny nubs, the snapped halves, the colors that had lost their wrappers. I sorted them into families of blues, reds, greens, golds. Then I set up a double boiler pot on the stove, nested an ice cube tray inside, and melted the pieces down into new, chunky blocks of color.

This wasn’t a project with the grandchildren. It was a project for the youngest one — our two‑year‑old whose hands are still learning how to hold the world. The new crayon blocks would be easier to grip, harder to break, more satisfying to press onto paper. A small act of preparation that would make his next drawing session smoother, more joyful.

Two different Saturdays. Two different ages. Two different kinds of making.

But the heart of it is the same: taking something ordinary — cream, crayons — and reshaping it into something that carries a kind of joy in creating forward. One activity I hoped would teach the older girls where I come from. The other cleared a path for the little one to expand his skills in color and expression . While he draws, I keep up a patter about what marks he’s making, what color he’s using. He doesn’t say much yet in answer to the request to “tell me about your drawing.” But he’s building vocabulary and gaining confidence which will matter no matter where he’s going.

Both activities are love expressed through my hands.

the Space Between Intention and Impact

Saying Just Enough: Lessons in Tact, Truth, and the Space Between Intention and Impact

Some of the most enduring lessons in communication arrive in small, ordinary moments. Others come during life’s hardest passages. Over time, they begin to speak to one another, revealing a pattern: the difference between what we intend and how our words or actions land is often where growth happens.

One of my earliest reminders came from a harmless home‑improvement experiment. During the era when sponge‑painting was fashionable, I decided to brighten the entryway with a cheerful mix of yellow and green. I imagined sunlight and garden walls. My older son walked in, took one look, and asked, “So you want it to look like mold on cheese?”

It was funny, and it was true, and it taught me a truth I’ve carried ever since:  while I wasn’t hurt, I decided to be careful of asking  or offering opinions. 

Don’t ask for an opinion if what you really want is agreement.

Over time, that line became a kind of reminder to brace ourselves when we invite someone else’s perspective, and to tread lightly when someone invites ours. It’s a small principle, but it has wide application. It’s one thing to be honest; it’s another to be helpful. And a third to be tactful.

Years later, the same dynamic surfaced in a moment that was anything but lighthearted.

When my father died, my siblings and I gathered to do the painful, necessary work that follows a loss. My older sister, always one to take charge, drafted the obituary for the local paper. She handed it to me  to read “since you’re the English teacher,” and I read it with care. It was thoughtful and well‑crafted. I noticed one small usage issue, irrelevant to meaning but an error in formal written English: the sentence was in a section thanking the hospital staff for the care they gave my father and the compassion they showed our family. I don’t have the exact words available, but it was along the lines of “hopefully we will see you in happier circumstances.” I understood the sentiment, but suggested the more precise “we hope to see you again in happier circumstances.”

To me, it was a tiny correction, the sort of thing I would have offered in any other context. But grief changes the emotional chemistry of a room. My sister slammed the paper down and said, “I said exactly what I meant to say.” Her reaction stung, not because she disagreed, but because she had asked for my opinion as a teacher and then recoiled when I gave it..  

Only later did I understand that she hadn’t been asking for linguistic formality. She had been asking for recognition, for affirmation, for someone to stand beside her in a moment when everything felt fragile. My correction — small, factual, well‑intended — landed as criticism. In the moment ,  I stepped back, recognizing that the need of the moment was not precision but time for each of us to process our own grief.  The pointing out the idiom was tactless. Gratitude for the effort she put in would have been true, and less hurtful to her.

One story is humorous, and one is painful. They both point to the same truth:  Tact isn’t dishonesty. It’s discernment.

It’s the discipline of choosing which truth serves growth, connection, or peace in a given moment. Honestly is the best policy but wisdom recognizes that more than one thing can be true at the same time, and they don’t all need to be aired. Some true things don’t need to be said at all.

That distinction shaped my work in the classroom as well.

One afternoon, a very tall thirteen‑year‑old was called out of class. When he returned, the lights were dimmed and the overhead projector was on. His seat was in the front row. He entered quietly, then he squatted and frog‑hopped across the front of the room to reach his chair.

The room erupted in laughter.

My first instinct was the classic teacher reflex: this is a disruption; he needs to go out.

I sent him into the hallway, settled the class, and stepped out ready to read him the riot act. But there he stood — head down, hands buried in his hoodie pocket, face pinched with unhappiness. That posture told the truth before he even spoke.

So instead of launching into reprimand, I asked, “What just happened?”

His answer reframed everything:  He wasn’t clowning.  He wasn’t seeking attention.

He was trying to avoid blocking anyone’s view with a frame that had grown so suddenly and so large that he didn’t quite know how to manage it yet. In truth, he was trying to be respectful.

And like so many things in a young adolescent’s life, his attempt at courtesy backfired in a spectacular, unforgettable way.

It stopped me. This wasn’t a kid who needed correction. He was one who needed help in dealings with a world that asked for split second decisions in a body that seemed at odds with his childlike heart.   I told him I appreciated his intent, and that we’d work on “thinking two steps ahead before taking one.” He said he knew he’d “messed up” when the class laughed. I reassured him I wasn’t angry. We were all just surprised. We walked back in together and resumed the lesson.

That moment taught me as much as it taught him. It reminded me that people — especially young people — deserve the chance to explain themselves before we decide what their behavior means.  I am not a mind reader.  I shouldn’t act as if I am.

And we communicate better when we pause long enough to ask ourselves what the moment truly requires:    precision, reassurance, silence, or a gentle truth spoken with care.

The older I get, the more I believe that personal growth isn’t about saying everything we think. It’s about learning to say  the part that helps, the part that clarifies, the part that keeps dignity intact. It’s about knowing when honesty is a gift and when it’s a burden. And it’s about recognizing that even the smallest interactions can teach us how to be better with one another. This is a lesson I am still learning as I deal with my adult sons.

Some lessons come wrapped in laughter. Others arrive in grief.  Some hop across the front of a classroom in the light of an overhead projector.

All of them are worth keeping.

21 April, 2026

Grandma Cornish memories

grandma Cornish 


I remember sitting on her lap, my cheek against her chest, stroking the velvet‑soft skin of her forearm. Her broach style watch ticked steadily under my ear, her heartbeat keeping its own slower rhythm beneath it. She smelled of lavender and flour. The whole moment held a kind of hush, as if time itself had settled down beside us and agreed to be still for a while.


She moved through the kitchen without announcing anything, the way my mother later would with practical motions, steady hands, and food appearing not through magic but through gestures repeated day in and day out. For me as a child it was magic that tasted like fresh bread.  In the garden she kept her own rows, separate from Grandpa’s: onions, carrots, cabbages he teased her about but never dismissed. Inside the house she was the quiet center of the daily rhythm, apron in place.

Those are the facts I remember and I think of when I sit with Alex on my lap now.  The meaning I hope I am sharing:  that safety can be quiet, and care can be a form of structure, and that a household at rest can build memories the daily whirl does not.

Imagination

Imagination, Not Stuff, Is What Builds a Full Childhood

Original Input (Verbatim)

For a doll house set up in a cardboard box: Pop bottles caps are bowls. Hot glue thread spirals are place mats. Beads are legs on match box chest of drawers that have functioning drawers. Straws cut to size with hot glue bases become drinking glasses.

I did this with tin cans and cardboard discs with an old wooden crate for a stove in the playhouse I set up under a tree north of my childhood home.

Dioramas were my favorite school projects.

Then the Barbie stage with my granddaughters.

My younger son and I assembled a matchbox garage tower from an assortment of items otherwise destined for the trash. My older son and I made airplanes and keys from dish detergent and shampoo bottles. One year he was a Ghost Buster for Halloween with a harness mounted three liter pop bottle and a hose borrowed from a vacuum cleaner for his ghosts busting gear.

Imagination, not stuff, is what builds a full childhood.

Summary of Assistant’s Analysis

Your stories form a clear generational through line: a family tradition of transforming ordinary, discarded, or overlooked objects into entire worlds. Each example — from bottle‑cap bowls to shampoo‑bottle airplanes — shows a way of seeing that treats materials not as fixed objects but as possibilities.

The pattern begins with your mother’s leaf‑spring baby and continues through your own childhood playhouse, your school dioramas, the Barbie stages with your granddaughters, and the inventive projects with both of your sons. Across decades and generations, the constant is not the materials but the imagination applied to them.

The conclusion you offered — Imagination, not stuff, is what builds a full childhood — is the natural thesis of the entire lineage. This page preserves your original words and highlights the connective tissue that makes them part of a larger family inheritance of creativity and resourcefulness.

26 February, 2026

guide

 

Phrase 1 code

G‑h E‑q G‑h E‑q G‑h A‑q G‑h qr

Phrase 1 staff positions

  • G = 2nd line

  • E = 1st line

  • A = 2nd space

So your measure‑by‑measure drawing looks like this:

  1. G (half note) — 2nd line

  2. E (quarter) — 1st line

  3. G (half) — 2nd line

  4. E (quarter) — 1st line

  5. G (half) — 2nd line

  6. A (quarter) — 2nd space

  7. G (half) — 2nd line

  8. quarter rest

No ledger lines. No accidentals. Everything stays inside the staff.

23 February, 2026

Three verses with musical markup

 .

🎵 Hymnal‑Style Layout (Numbered Verses)

One melody phrase, then three numbered lyric lines beneath it

Phrase 1 G‑h E‑q G‑h E‑q G‑h A‑q G‑h qr

  1. Brand‑new start, a brand‑new day,—

  2. Ba‑by Ba‑by in your bed—

  3. Ba‑by Ba‑by in your bed—

Phrase 2 C'‑h G‑q G‑h E‑q E‑h D‑q E‑dh dhr

  1. Morn‑ing, ba‑by! Rise and play.—

  2. Just a nap to rest your head—

  3. Did you hear what ma‑ma said—

Phrase 3 E‑h F‑q G‑h E‑q G‑h A‑q G‑h qr

  1. Rub your eyes and see what’s new,—

  2. Close your eyes and rest a while—

  3. Sleep now sleep the long night through—

Phrase 4 G‑q C'‑h G‑q G‑h F‑h D‑q C‑dh dhr

  1. The birds out‑side are wak‑ing too.—

  2. Now dream the dreams that make you smile—

  3. To‑mor‑row’s sun will wait for you—

Phrase 5 G‑q G‑h E‑q G‑h C'‑q A‑h F‑q F‑q qr

  1. To‑day you’ll find all kinds of fun—

  2. So nap and dream an hour a‑way,—

  3. To‑night the stars and moon pass by—

Phrase 6 G‑q G‑h E‑q G‑h C'‑q A‑h F‑q D‑h ~D-h qr

  1. You’ll learn and grow be‑neath the sun.—

  2. You’ll wake refreshed to greet the day.—

  3. The wind will sing, the trees will sigh—

Phrase 7 E‑h F‑q G‑h C'‑q A‑h G‑q G‑h qr

  1. Up and dressed, you’ll find a way—

  2. Nap time comes and then is gone,—

  3. Sleep now sleep the night a‑way—

Phrase 8 G‑q C'‑h G‑q G‑h F‑q E‑h D‑h C‑q ~ C‑dh

  1. To live and love this bright new day.

  2. You’ll wake and sing your fav’rite song~.

  3. To‑mor‑row brings a brand new day~.

18 February, 2026

Three verses lyrics only

 three verses collected:

Morning Verse

Brand‑new start, a brand‑new day, Morning, baby! Rise and play. Rub your eyes and see what’s new, The birds outside are waking too. Today you’ll find all kinds of fun— You’ll learn and grow beneath the sun. Up and dressed, you’ll find a way To live and love this bright new day.

Nap-time Verse

Baby baby in your bed,
Just a nap to rest your head.
Close your eyes and rest awhile,
Dreaming dreams that make you smile.
So nap and dream an hour away,
You’ll wake refreshed to greet the day.
Nap time comes and then is gone,
You’ll wake and sing your favorite song.

Bedtime Verse

Baby, baby in your bed— Did you hear what mama said— Sleep now, sleep the long night through— Tomorrow’s sun will wait for you. Tonight the stars and moon pass by— The wind will sing, the trees will sigh. Sleep now, sleep the night away— Tomorrow brings a brand‑new day

15 February, 2026

Nap time verse

 Nap‑Time Verse


Baby baby in your bed,

Just a nap to rest your head.

Close your eyes and rest awhile,

Dreaming dreams that make you smile.


So nap and dream an hour away,

You’ll wake refreshed to greet the day.

Nap time comes and then is gone,

You’ll wake and sing your favorite song.


==================================
Nap time verse
G‑h E‑q   G‑h E‑q  G‑h A‑q    G‑h qr 
Ba‑ by     Ba‑ by     in     your   bed —
C‑h   G‑q G‑h  E‑q   E‑h  D‑q E‑dh dhr
Just   a    nap   to    rest your  head  —
 E‑h    F‑q G‑h  E‑q G‑h  A‑q    G‑h qr 
Close your eyes and   rest    a     while  —
G‑q  C‑h   G‑q    G‑h F‑q  E‑h  D‑q   C‑dh dhr
Now Dream   the      dreams that   make you smile --
G‑q G‑h   E‑q  G‑h   C‑q  A‑h     F‑q F‑q qr
so Nap and dream an   hour  a-    way,  --
G‑q  G‑h   E‑q  G‑h  C‑q A‑h F‑q  D‑h qr
You’ll wake refreshed to greet the day. —
E‑h    F‑q G‑h   C‑q A‑h    G‑q G‑h qr
Nap time comes and then is gone, —
G‑q C‑h  G‑q  G‑h    F‑q  E‑h     D‑h C‑q ~ C‑dh
You’ll wake and sing your fav ' rite   song~.











Morning verse

Morning verse

G‑h        E‑q   G‑h E‑q  G‑h    A‑q    G‑h qr 
A brand‑new start, a      brand‑new day,---
C‑h    G‑q G‑h   E‑q   E‑h  D‑q E‑dh dhr
Morn-ing, ba    by!     Rise and play. ---
E‑h   F‑q    G‑h  E‑q G‑h  A‑q    G‑h qr
Rub your     eyes and see what’s new, —
G‑q  C‑h   G‑  G‑h   F‑q  E‑h  D‑q   C‑dh dhr
The birds out side are wak-ing too.. —
G‑q G‑h   E‑q     G‑h   C‑q  A‑h     F‑q F‑q qr
To-   day  you’ll find     all kinds      of        fun  —
G‑q  G‑h   E‑q  G‑h  C‑q A‑h F‑q  D‑h qr
You’ll learn and grow be-neath the sun. —
E‑h    F‑q G‑h   C‑q A‑h    G‑q G‑h qr
You’re up,  you’re dressed, you’ll find a way  —
G‑q C‑h  G‑q  G‑h    F‑q  E‑h     D‑h   C‑q ~ C‑dh
To   live and    love   this       bright new   day.




14 February, 2026

Lullaby mark up for transfer

----------------------------------------

Nightime verse

G‑h E‑q   G‑h E‑q  G‑h A‑q    G‑h qr 
Ba‑ by     Ba‑ by     in   your    bed —

C‑h G‑q G‑h  E‑q   E‑h  D‑q E‑dh dhr
Did you hear what  ma‑  ma  said —

E‑h    F‑q G‑h  E‑q G‑h  A‑q    G‑h qr
Sleep now sleep the  long night through —

G‑q  C‑h   G‑q    G‑h Eflat‑q  E‑h  D‑q   C‑dh dhr
To‑  mor‑ row’s sun  will      wait   for    you —

G‑q G‑h   E‑q  G‑h   C‑q  A‑h     F‑q F‑q qr
To‑ night  the   stars and  moon   pass     by —

G‑q  G‑h   E‑q  G‑h  C‑q A‑h F‑q  D‑h qr
The  wind will sing the   trees will     sigh —

E‑h    F‑q G‑h   C‑q A‑h    G‑q G‑h qr
Sleep now     sleep the   night  a‑    way —

G‑q C‑h  G‑q  G‑h    F‑q  E‑h     D‑h C‑q ~ C‑dh
To‑ mor‑ row brings a            brand new day 
~ day





08 February, 2026

Update 12 years in the making

 I am embarrassed to see my last post here was in 2008. But I am trying to get the lullaby book back on track. In addition I am going to collect some family stories, stories I was told as a child, and stories that reflect the life Tom and I have built. I will endeavor to be a bit better about actually writing rather than just planning to write.